![]() ![]() If you are a chamber musician, the list of shoulds are different still. At minimum you need to audition with a Mozart concerto, a Romantic concerto, and you would focus a lot on excerpts. Six levels are offered, ranging from Grades 1 2 to DipLCM standard. A flexible Ensemble syllabus is also available, catering for all types of ensemble from duets and trios up to concert bands and wind bands. If you are an orchestral violinist, you most likely have studied some/many of the war horses, not all of them, and you wouldn't necessarily have them under your fingers and playable at a moment's notice. Answer (1 of 3): Typically, when various committees ask for a 'standard' concerto (without specifying a period), it simply means that they want the violin repertoire that shows up very often, and requires a high level of technique. Teaching diplomas (three levels) in violin, viola, cello and double bass. Due to the 'inflexibility' of the traditional techniques of composition and performance and the arduous and unclear requirements to enter the repertoire, a division has arisen between advocates of contemporary. If you are a soloist, you probably need to know all the war horse concertos, all the solo Bach, a good number of sonatas, anything else that would put together a marketable program. As the standard repertoire is deeply rooted in the western classical music tradition, the pieces included respect the characteristics, complexity, and performance practice of classical music established during the common-practice period, although it is possible to find exceptions. Pieces designated NS do not currently appear in the ASTA String. It's more important to be at a level to able to teach yourself a particular concerto or repertoire than to learn them all. Aligned and Additional Repertoire for Study and Exams. Not all students study exactly the same sequence or list of repertoire. Stanley Fletcher, New Tunes for Strings, Book 1 Stanley Fletcher, New Tunes for Strings, Book 2. It depends on where you are in your learning curve and what your profession is. It's hard to say what every violinist should know. I'm also going through Dubal's The Essential Canon of Classical Music, which covers a lot of the must-listen pieces at a high level. ![]() Click on the categories for a full list: I've really enjoyed going through David Dubal's The Art of the Piano and Maurice Hinson's Guide to the Pianist's Repertoire it's given me a lot of new stuff to listen to.
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